James Faure Walker
CV : solo exhibitions : group exhibitions : collections : publications : bibliography/tv : awards : activities : teaching : overseas
CV : solo exhibitions : group exhibitions : collections : publications : bibliography/tv : awards : activities : teaching : overseas
Publications
Reviews of David Novros, Bernard Cohen, Peter Stroud, Basil Beattie, Henry Mundy, Brendan Neiland, | 1974/6 |
Space Studios, Sean Scully, John Edwards), Studio International | |
The Activity of Criticism I and II (interviews with Max Kozloff, Harold Rosenberg, Rosalin Krauss, Lucy Lippar, | 1975 |
Roberta Smith, Walter Darby Bannard), Studio International | |
Interview with Patrick Heron, Artscribe 2 | 1976 |
‘AD (Alternative Developments, so-called)’, Artscribe 2 | 1976 |
Paper at the AIR Conference on Criticism (published 1979) | 1976 |
‘Towards a Definition of the Progressive in Painting’, Artscribe 3 | 1976 |
‘The Medium of the Thinking Eye’, Artscribe 5 | 1977 |
Interviews with Bernard Cohen, RB Kitaj, Artscribe 5 | 1977 |
‘Defence of Painting Now’, Artscribe 6 | 1977 |
Interview with Al Held, Artscribe 7 | 1977 |
Interview with Richard Cork, Artscribe 7 | 1977 |
‘Mapping the Hayward Annual’, Artscribe 8 | 1977 |
Interview with Stephen Buckley, Artscribe 9 | 1977 |
Interview with Clement Greenberg, Artscribe 10 | 1977 |
‘De Kooning’, Artscribe 10 | 1978 |
‘Images of Surrealism’, Artscribe 11 | 1978 |
Paper at the State of British Art conference at the ICA, Studio International | 1978 |
‘The Claims of Social Art’, Artscribe 12 | 1978 |
Interview with Bruce Lacey and Jill Bruce, Artscribe 15 | 1979 |
‘Fertile Forms’, Artscribe 16 (and in London Magazine) | 1979 |
Introduction in Hayward Annual Catalogue, Arts Council | 1979 |
‘Relevance in Criticism’, Style in the Seventies catalogue | 1979 |
‘Ham Epic, or Putting Human Life Back into Art’, Artscribe 20 | 1979 |
‘In Defence of Artscribe’, Art Monthly | 1980 |
‘Babylonian Oasis’, Artscribe 22 | 1980 |
‘Clyfford Still’, Artscribe 23 | 1980 |
Interview with John Hoyland, Artscribe 24 | 1980 |
‘Explaining what Modern Means’, Artscribe 26 | 1980 |
‘Awkward Moments (the New Spirit in Painting)’, Artscribe 27 | 1981 |
‘Understanding Pastiche’, Artscribe 30 | 1981 |
‘Creating Chances’, Artscribe 33 | 1982 |
Introduction to the Fifties, Artscribe 34 | 1982 |
Interview with Irving Sandler, Artscribe 34 | 1982 |
‘Ivon Hitchens’, Artscribe 34 | 1982 |
‘Wragg, Gili, Smart’, Artscribe 35 | 1982 |
‘Mixing with Decadence’, Artscribe 37 | 1982 |
‘Sense of Place’, Artscribe 38 | 1982 |
‘Criticism in Europe’, Artscribe 40 | 1983 |
‘Artscribe in Britain’, Marseille Art Present catalogue, France | 1983 |
‘Australia’, Artscribe 43 | 1984 |
‘Patrick Heron: Paintings of the Seventies’, Barbican exhibition catalogue | 1985 |
‘The Figure in Sculpture’, Ikon Gallery Catalogue | 1985 |
Essay in ‘James Faure Walker’, Whitworth Gallery exhibition catalogue | 1985 |
De Kooning entry in Makers of Modern Culture, Routledge | 1985 |
‘The Computer and Painting’, Breaking the Barriers, Preston | 1989 |
‘Painting with the Computer’, Modern Painters, Summer | 1992 |
‘Art and the Intelligent Lunch-Box’, Modern Painters, Spring | 1994 |
‘Computers, Painting and Ambition’, 5th ISEA Proceedings | 1994 |
‘Teaching Cyber Art’, CADE, Brighton | 1995 |
‘Computing and Painting in London’, SIGGRAPH Art Show catalogue, LA | 1995 |
‘The SIGGRAPH Electronic Theatre’, FPS Animation magazine, Montreal | 1995 |
‘The Outside/Inside of Techno Art’, Mute, Winter | 1995 |
Report of Montreal ISEA, ISEA Newsletter | 1995 |
‘Cool Heaven: Painting and the New Electronic Art’, CHART Proceedings | 1996 |
‘High Culture meets Mall Culture’, Wired (UK), December | 1996 |
Statement in YLEM, San Francisco, USA | 1996 |
Catalogue introduction, Computerkunst, Gladbeck, Germany | 1996 |
ISEA96 comment, Rhizome Internet Digest | 1996 |
‘Paint Programs’, Computer Generated Imaging | 1997 |
‘Cyber Theory, Oh Dear’, Computer Generated Imaging | 1997 |
‘CADE’, Computer Generated Imaging | 1997 |
‘Computers in the Painting Department’, Outline, CTI | 1997 |
‘Slaves to the Algorithm’, Computer Generated Imaging | 1997 |
Review of Painter 5, Computer Generated Imaging | 1997 |
Review of ISEA 97 Chicago, Computer Generated Imaging | 1997 |
‘Pigeons and the Digital Print’, Computer Generated Imaging | 1998 |
‘On Touch in Digital Painting’, Computerkunst catalogue, Gladbeck, Germany | 1998 |
‘Revolution through the Carpet’, Computer Generated Imaging | 1998 |
‘Patrick Heron Paintings of the Seventies’, (reprinted) Tate Gallery catalogue | 1998 |
Paul Clifford ‘Migrations’, Chichester Festival catalogue | 1998 |
Report on SIGGRAPH 98 Florida, Computer Generated Imaging, September | 1998 |
Report on ISEA 98, Computer Generated Imaging, November 1998 | 1998 |
Review of ‘The Computer in the Visual Arts’, Computer Generated Imaging, February | 1999 |
Painting, Writing and not Going Gently’, essay in ‘5 into 20’, Kingston University, exhibition catalogue, curated and introduced | 1999 |
by Bruce Russell | 1999 |
‘Heron, De Kooning, Serious Games, British Abstraction’, in ‘100 Reviews Backwards’ edited by Matthew Arnatt, Matthew | 1999 |
Collings, Cornelia Grassi, Verlag der Buchhandlung, Walther Konig | |
‘The Colour and Motion Series’, catalogue essay, Colville Place Gallery | 2000 |
Studio Visit, Jeff Dellow catalogue, Standort Gallery, Frankfurt, Germany | 2000 |
‘Plugging into the Past: Muybridge’, Art Review | 2001 |
‘Silent Motion’ catalogue essay, Stanley Picker Gallery, Kingston University | 2001 |
‘Drawing’, Tracey Online Journal | 2002 |
Interview with Greenberg (1978), republished in ‘Clement Greenberg, Late Writings’, edited by Robert C. Morgan, University of | 2003 |
Minnesota Press | |
‘How digital and traditional mediums can work together’, Artists and Illustrators | 2003 |
‘Painting and Digital Art’, Artists and Illustrators, April | 2005 |
‘Writing Painting the Digital River’, in Information Visualisation, iV05, edited by Ebad Banissi, Anna Ursyn, et al, IEEE | 2005 |
Computer Society, USA | |
‘Painting the Digital River: How an Artist Learned to Love the Computer’, Prentice Hall, USA | 2006 |
‘I Told You So: Painting in Digital Culture’, SIGGRAPH Art and Animation Catalogue, Boston, USA | 2006 |
‘Altered Filament’, Artech conference, Pontevedra, Spain | 2006 |
Bruce Russell, Paintings, Beardsmore Gallery | 2007 |
‘Translation, Translation, Oh Translation’, Garageland magazine | 2007 |
‘Pride, Prejudice and the Pencil’, in ‘Writing on Drawing: Essays on Drawing Practice and Research’, edited by Steven Garner, | 2008 |
Intellect/Chicago | |
‘A Drawing Book for a Digital World: the missing chapters’, paper at the ‘Fine Arts in Egypt, 100 years of Creativity’ | 2008 |
conference, Cairo | |
‘Machines, Drawing and Vision’, Chart conference, London | 2008 |
‘Drawn Encounters’, Visual Communication, Sage, Volume 8 number 2 | 2009 |
‘The Origins of Artscribe’, at the Artists’ Writings conference, Courtauld Institute | 2009 |
‘Drawing Lessons for Ants’, ISEA conference, Belfast | 2009 |
‘Sette Inglesi a Milano’ (Catalogue introduction, English and translated into Italian)Galleria Milano/Austin Desmond Gallery, | 2009 |
London | |
‘Drawing Machines, Bathing Machines, Motorbikes, the Stars.... Where are the Masterpieces?’ in Tracey, Drawing and | 2010 |
Technology | |
‘On Not Being Able to Draw a Mousetrap’, Journal of Creative Interfaces & Computer Graphics, June 2011, edited by Ben | 2011 |
Falchuk (Telcordia Technologies Inc., USA); Adérito Marcos (Universidade Aberta, Portugal), Published Semi-Annually. | |
‘The Past and Present of the Digital Manual’, paper at the Recto/Verso: Redefining the Sketchbook conference, University of | 2011 |
Lincoln | |
‘Painting further along the River’, ISEA Istanbul conference | 2011 |
Drawing Books and Digital Devices: Paper for 'Drawing Connections - China Risk and Revolution', October 26-28, Lu Xun | 2011 |
Academy of Art, Dalian, China, International Drawing Research Institute College of Fine Art, UNSW, AustraliaUNSW, COFA, | |
publication in Mandarin and English | |
‘Getting Closer to Nature: Artists in the Lab’, in ‘Biologically-Inspired Computing for the Arts: Scientific Data through | 2012 |
Graphics’, IGI Global, USA | |
‘A Drawing Book for Digital Eyes’, paper given in Lisbon at the 'Drawing in Question' conference, March 2010, published in | 2012 |
Linha do Horizonte journal, Issue 2, Lisbon | |
‘Learning to Draw from Forgotten Manuals’, paper at the ‘Drawing in the University Today’ conference, University of Porto | 2013 |
Foreword in ‘Perceptions of Knowledge Visualization: Explaining Concepts through Meaningful Images’,edited by Anna Ursyn, | 2014 |
Idea Group, USA | |
Catherine Mason, ‘Going with the Flow’, British Computer Society, March 2014 | 2014 |
Obituary of Jim Adley, Guardian, April 2 | 2015 |
http://www.interaliamag.org/articles/five-paragraphs-and-seven-pictures/ | 2016 |
http://www.interaliamag.org/articles/learning-to-draw-from-forgotten-manuals/ | 2016 |
‘Jeff Lowe: Sculptor/Maker’, catalogue introduction, Pangolin Gallery, London | 2016 |
'Can watercolour get smart?' | 2017 |
‘Painting the Digital River: Before and After’, in Painting, Digital, Photography: Synthesis and Difference in the Age of Media | 2018 |
Equivalence, edited by Carl Robinson, Cambridge Scholars Publishing. | |
‘Learning to Draw from Forgotten Manuals’ (2014 paper) | 2014 |
‘Drawing in the University Today’, PSIAX, nº3, series II, Universities of Porto and Minho | 2018 |
‘The Claims of Social Art, Forty Years On’, in David Redfern catalogue, Felix and Spear | 2018 |