JAMES FAURE WALKER
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  • GALLERY
    • Painting >
      • up to 1979
      • 1980 to 1989
      • 1990 to 1999
      • 2000 to 2004
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      • 2010 to 2014
      • 2015 to 2019 - (1)
      • 2015 to 2019 - (2)
      • 2020 Onwards - (1)
      • 2020 Onwards - (2)
    • Digital >
      • 1980 to 1989
      • 1990 to 1994
      • 1995 to 1999
      • 2000 to 2004
      • 2005 to 2009
      • 2010 to 2014
      • 2015 to 2019 - (1)
      • 2015 to 2019 - (2)
      • 2020 Onwards - (1)
      • 2020 Onwards - (2)
    • Watercolours >
      • Up to 1979
      • 1980 to 1989
      • 1990 to 1999
      • 2000 to 2009
      • 2010 to 2014
      • 2015 to 2019 - (1)
      • 2015 to 2019 - (2)
      • 2015 to 2019 - (3)
      • 2020 Onwards - (1)
      • 2020 Onwards - (2)
    • Drawing >
      • 2000 to 2009
      • 2010 - 2019
  • Publications
    • 2021 REMEMBERING ARTSCRIBE
    • 2020 SPEED LIMITS : DIGITAL PAINT & ABSTRACT PAINTING
    • 2020 DUBUFFET, DRAWING & DISORDER
    • 2019 TALES FROM THE OCHRE FACTORY : LUMPS, GHOSTS, CIGARS
    • 2019 WATERCOLOUR
    • 2018 THE ROYAL WATERCOLOUR SOCIETY : A BRIEF HISTORY
    • 2018 THE CLAIMS OF SOCIAL ART, FORTY YEARS ON
    • 2017 CAN WATERCOLOUR GET SMART?
    • 2013 LEARNING TO DRAW
    • 2008 PRIDE, PREJUDICE & THE PENCIL
    • 2006 RIVER GODS : PAINTING THE DIGITAL RIVER
    • 2004 THE RECKLESS & THE ARTLESS: PRACTICAL RESEARCH AND DIGITAL PAINTING
    • 2002 WORKING WITH COMPUTERS
    • 1999 FINDING OUT HOW TO PAINT
    • 1997 LEARNING THE THEORY
    • 1995 THE OUTSIDE INSIDE OF TECHNO ART
    • 1994 ART & THE INTELLIGENT LUNCHBOX
    • 1980 CLYFFORD STILL, ARTSCRIBE
    • 1978 THE CLAIMS OF SOCIAL ART
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RECENT WORK GALLERY
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