‘Painting the Digital River’, 2006
‘The Colour & Motion Series’, by James Faure Walker, 2000

‘Silent Motion', 2001
‘The Colour & Motion Series’, 2000

PUBLICATIONS

These essays and extracts are intended as samples of what may not be easily attainable online or elsewhere. There is some duplication of content, and some of what is written on the subject of painting and the computer is more comprehensively covered in my book ‘Painting the Digital River: How an Artist Learned to Love the Computer’ (2006, Prentice Hall, USA), which came later.
2020
'Dubuffet, Drawing and Disorder'
Instant Love Island
2019
‘Watercolour‘
The Fine Art Collective
2018 
‘The Royal Watercolour Society : A Brief History ‘
Art Uk
2018 
‘The Claims of Social Art, Forty Years On‘
David Redfern Exhibition catalogue, Felix and Spear  
2017 
‘Can Watercolour Get Smart?‘
Art Uk, 28 Jun 2017
2013
‘Learning to Draw from Forgotten Manuals’
paper given at the ‘Drawing in the University Today’ conference, University of Porto
2008
‘Pride, Prejudice and the Pencil’
in ‘Writing on Drawing: Essays on Drawing Practice and Research’, edited by Steven Garner, Intellect/Chicago
2002
‘Notes on working with computers from 1988 to 2002‘
from http://dam.org/artists/phase-two/james-faure-walker
1999
‘Painting, Writing and not Going Gently’
from ‘5 x 20, Five Abstract Painters; Twenty Years On’
1997
‘Learning the Theory‘
From ‘Computer Generated Imaging Magazine‘, where James Faure Walker had a regular column
1994
‘Art and the Intelligent Lunchbox‘
Modern Painters, Spring 1994
1980
‘Clyfford Still‘
Artscribe 23, June 1980

     © James Faure Walker