JAMES FAURE WALKER
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  • GALLERY
    • Painting >
      • up to 1979
      • 1980 to 1989
      • 1990 to 1999
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      • 2015 to 2019 - (1)
      • 2015 to 2019 - (2)
      • 2020 Onwards - (1)
    • Digital >
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      • 2005 to 2009
      • 2010 to 2014
      • 2015 to 2019 - (1)
      • 2015 to 2019 - (2)
      • 2020 Onwards - (1)
      • 2020 Onwards - (2)
    • Watercolours >
      • Up to 1979
      • 1980 to 1989
      • 1990 to 1999
      • 2000 to 2009
      • 2010 to 2014
      • 2015 to 2019 - (1)
      • 2015 to 2019 - (2)
      • 2015 to 2019 - (3)
      • 2020 Onwards
      • 2020 Onwards - (2)
    • Drawing >
      • 2000 to 2009
      • 2010 - 2019
  • Publications
    • 2018 THE CLAIMS OF SOCIAL ART, FORTY YEARS ON
    • 2017 CAN WATERCOLOUR GET SMART?
    • 2013 LEARNING TO DRAW
    • 2008 PRIDE, PREJUDICE & THE PENCIL
    • 2006 RIVER GODS : PAINTING THE DIGITAL RIVER
    • 2004 THE RECKLESS AND THE ARTLESS: PRACTICAL RESEARCH AND DIGITAL PAINTING
    • 2002 WORKING WITH COMPUTERS
    • 1999 FINDING OUT HOW TO PAINT
    • 1997 LEARNING THE THEORY
    • 1995 THE OUTSIDE INSIDE OF TECHNO ART
    • 1994 ART AND THE INTELLIGENT LUNCHBOX
    • 1980 CLYFFORD STILL, ARTSCRIBE
    • 1978 THE CLAIMS OF SOCIAL ART
  • Contact
‘Painting the Digital River’, by James Faure Walker, 2006
‘Painting the Digital River’, 2006
‘The Colour & Motion Series’, by James Faure Walker, 2000


‘Silent Motion', 2001
Picture
‘The Colour & Motion Series’, 2000

PUBLICATIONS

These essays and extracts are intended as samples of what may not be easily attainable online or elsewhere. There is some duplication of content, and some of what is written on the subject of painting and the computer is more comprehensively covered in my book ‘Painting the Digital River: How an Artist Learned to Love the Computer’ (2006, Prentice Hall, USA), which came later.

2020
'Dubuffet, Drawing and Disorder'
Instant Love Island

2019
'Tales from the Ochre Factory : Lumps, Ghosts, Cigars'
Instant Love Island

2019
‘Watercolour‘
The Fine Art Collective

2018 
‘The Royal Watercolour Society : A Brief History ‘
Art Uk


2018 
‘The Claims of Social Art, Forty Years On‘
David Redfern Exhibition catalogue, Felix and Spear  

2017 
‘Can Watercolour Get Smart?‘
Art Uk,
28 Jun 2017

2013
‘Learning to Draw from Forgotten Manuals’
paper given at the ‘Drawing in the University Today’ conference, University of Porto

2008
‘Pride, Prejudice and the Pencil’
in ‘Writing on Drawing: Essays on Drawing Practice and Research’, edited by Steven Garner, Intellect/Chicago

2004
The Reckless and the Artless : Practical Research and Digital Painting
Kingston University, England

2006
‘River Gods’, Preface to ‘Painting the Digital River: How an Artist Learned to Love the Computer’
Prentice Hall, USA 

2002
‘Notes on working with computers from 1988 to 2002‘
from http://dam.org/artists/phase-two/james-faure-walker

1999
‘Painting, Writing and not Going Gently’
from ‘5 x 20, Five Abstract Painters; Twenty Years On’

1997
‘Learning the Theory‘
From ‘Computer Generated Imaging Magazine‘, where James Faure Walker had a regular column

1995
‘The Outside/Inside of Techno Art‘
Mute, Winter 1995

1994
‘Art and the Intelligent Lunchbox‘
Modern Painters, Spring 1994

1980
‘Clyfford Still‘
Artscribe 23, June 1980

1978
‘The Claims of Social Art and Other Perplexities‘
Artscribe 12, 1978

     © James Faure Walker 2023