JAMES FAURE WALKER
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    • Painting >
      • up to 1979
      • 1980 to 1989
      • 1990 to 1999
      • 2000 to 2004
      • 2005 to 2009
      • 2010 to 2014
      • 2015 to 2019 - (1)
      • 2015 to 2019 - (2)
      • 2020 Onwards - (1)
      • 2020 Onwards - (2)
    • Digital >
      • 1980 to 1989
      • 1990 to 1994
      • 1995 to 1999
      • 2000 to 2004
      • 2005 to 2009
      • 2010 to 2014
      • 2015 to 2019 - (1)
      • 2015 to 2019 - (2)
      • 2020 Onwards - (1)
      • 2020 Onwards - (2)
    • Watercolours >
      • Up to 1979
      • 1980 to 1989
      • 1990 to 1999
      • 2000 to 2009
      • 2010 to 2014
      • 2015 to 2019 - (1)
      • 2015 to 2019 - (2)
      • 2015 to 2019 - (3)
      • 2020 Onwards - (1)
      • 2020 Onwards - (2)
    • Drawing >
      • 2000 to 2009
      • 2010 - 2019
  • Publications
    • 2021 REMEMBERING ARTSCRIBE
    • 2020 SPEED LIMITS : DIGITAL PAINT & ABSTRACT PAINTING
    • 2020 DUBUFFET, DRAWING & DISORDER
    • 2019 TALES FROM THE OCHRE FACTORY : LUMPS, GHOSTS, CIGARS
    • 2019 WATERCOLOUR
    • 2018 THE ROYAL WATERCOLOUR SOCIETY : A BRIEF HISTORY
    • 2018 THE CLAIMS OF SOCIAL ART, FORTY YEARS ON
    • 2017 CAN WATERCOLOUR GET SMART?
    • 2013 LEARNING TO DRAW
    • 2008 PRIDE, PREJUDICE & THE PENCIL
    • 2006 RIVER GODS : PAINTING THE DIGITAL RIVER
    • 2004 THE RECKLESS & THE ARTLESS: PRACTICAL RESEARCH AND DIGITAL PAINTING
    • 2002 WORKING WITH COMPUTERS
    • 1999 FINDING OUT HOW TO PAINT
    • 1997 LEARNING THE THEORY
    • 1995 THE OUTSIDE INSIDE OF TECHNO ART
    • 1994 ART & THE INTELLIGENT LUNCHBOX
    • 1980 CLYFFORD STILL, ARTSCRIBE
    • 1978 THE CLAIMS OF SOCIAL ART
  • Contact
James Faure Walker
 
CV : solo exhibitions : group exhibitions : collections : publications : bibliography/tv : awards : activities : teaching : overseas
awards
Walter Neurath Prize  1968
Stowell`s Painting Prize (commended)              1970
Golden Plotter, Computerkunst, Gladbeck, Germany (first prize) 1998
AHRB Senior Research Fellowship 2002
New England Book Award, USA 2007
Royal Watercolour Society Prize 2013
activities

Executed wall-drawings for Sol Le Witt at the ICA and Lisson Gallery 1969-71
Organised gallery at Conway Hall for shows including Ian McKeever, Robin Klassnik 1974
with Ben Jones organised studio forums for artists to discuss their work 1974-75
Co-founded Artscribe Magazine 1976
Editor and designer Artscribe magazine 1977-83
Curated British section, delivered paper at Marseille Art Present, France 1983
Research for curating exhibition (with Paul Neagu, Sean McCrum) ‘Iconic Gardens’, bringing East/West Europe 1995-1997
traditions together  
Curating ‘Cyberlight’, art/computer exhibition at the Croydo 1995
Clocktower, London, and editing publication with 12 essays (project cancelled Feb 1996) 1996
Jury member of the Art Foundation £10,000 Painting Award 1996
UK representative and correspondent ISEA 1995-8
Project for BBC News Centre curating Silent Motion exhibition (Stanley Picker Gallery, Kingston) on Muybridge
2001
Awarded AHRB Major Research Fellowship (3 years based at Kingston University) for project (including book) on 2002
‘Painting and the Digital Studio’  
Invited speaker at SIGGRAPH Travelling Art Show, Salon d`Automne, Paris 2003
Lecture, ‘Lo Tech/Hi Tech’, Kassel University Art School, Germany 2003
Organised Stuart Morgan Memorial Lectures at Tate Modern (Brian O’Doherty, Peter Schjeldahl, Irving 2003, 2004, 2005
Sandler)
Keynote Speaker, ‘Art and Artifact/Research into Practice ‘, University of Hertfordshire 2004
‘Letting Go’, Chart (Computers and Art History) Futures Past conference, Birkbeck
2004
Lecture, Royal Academy Schools2007
Invited reviewer of papers (Scientific Committee: Collaboration), Artech, Porto, Portugal 2008
Invited peer reviewer for Leonardo, Dissect, 'Maximizing Cognitive Learning through Knowledge Visualization’ 2011-14
(Anna Ursyn editor)
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