‘Painting the Digital River’, 2006

---

‘Silent Motion', 2001

‘The Colour & Motion Series’, 2000

Publications

These essays and extracts are intended as samples of what may not be easily attainable online or elsewhere. There is some duplication of content, and some of what is written on the subject of painting and the computer is more comprehensively covered in my book ‘Painting the Digital River: How an Artist Learned to Love the Computer’ (2006, Prentice Hall, USA), which came later.

1978   The Claims of Social Art and Other Perplexities, Artscribe 12, 1978 

1980   ‘Clyfford Still’, (Artscribe 23, June)

1994   Art and the Intelligent Lunchbox, Modern Painters, Spring 1994

1995   ‘The Outside/Inside of Techno Art’, Mute  (Winter)

1997    ‘Learning the Theory’, (From Computer Generated Imaging Magazine, where James Faure Walker had a regular column)

1999    ‘Painting, Writing and not Going Gently’, (from ‘5 x 20, Five Abstract Painters; Twenty Years On’)

2002   Notes on working with computers from 1988 to 2002,
from http://dam.org/artists/phase-two/james-faure-walker

2006   ‘River Gods’, Preface to ‘Painting the Digital River: How an Artist Learned to Love the Computer’, Prentice Hall, USA

2008   ‘Pride, Prejudice and the Pencil’, in ‘Writing on Drawing: Essays on Drawing Practice and Research’, edited by Steven Garner, Intellect/Chicago

2013   ‘Learning to Draw from Forgotten Manuals’, paper given at the ‘Drawing in the University Today’ conference, University of Porto

2018   The Claims of Social Art, Forty Years On, David Redfern Exhibition catalogue, Felix and Spear