JAMES FAURE WALKER
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      • 2015 to 2019 - (2)
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      • 2020 Onwards - (2)
    • Watercolours >
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      • 1980 to 1989
      • 1990 to 1999
      • 2000 to 2009
      • 2010 to 2014
      • 2015 to 2019 - (1)
      • 2015 to 2019 - (2)
      • 2015 to 2019 - (3)
      • 2020 Onwards
      • 2020 Onwards - (2)
    • Drawing >
      • 2000 to 2009
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  • Publications
    • 2018 THE CLAIMS OF SOCIAL ART, FORTY YEARS ON
    • 2017 CAN WATERCOLOUR GET SMART?
    • 2013 LEARNING TO DRAW
    • 2008 PRIDE, PREJUDICE & THE PENCIL
    • 2006 RIVER GODS : PAINTING THE DIGITAL RIVER
    • 2004 THE RECKLESS AND THE ARTLESS: PRACTICAL RESEARCH AND DIGITAL PAINTING
    • 2002 WORKING WITH COMPUTERS
    • 1999 FINDING OUT HOW TO PAINT
    • 1997 LEARNING THE THEORY
    • 1995 THE OUTSIDE INSIDE OF TECHNO ART
    • 1994 ART AND THE INTELLIGENT LUNCHBOX
    • 1980 CLYFFORD STILL, ARTSCRIBE
    • 1978 THE CLAIMS OF SOCIAL ART
  • Contact
‘Painting the Digital River’, by James Faure Walker, 2006
‘Painting the Digital River’, 2006
‘The Colour & Motion Series’, by James Faure Walker, 2000


‘Silent Motion', 2001
Picture
‘The Colour & Motion Series’, 2000
Publications

These essays and extracts are intended as samples of what may not be easily attainable online or elsewhere. There is some duplication of content, and some of what is written on the subject of painting and the computer is more comprehensively covered in my book ‘Painting the Digital River: How an Artist Learned to Love the Computer’ (2006, Prentice Hall, USA), which came later.

1978   The Claims of Social Art and Other Perplexities, Artscribe 12, 1978 

1980   ‘Clyfford Still’, (Artscribe 23, June)

1994   Art and the Intelligent Lunchbox, Modern Painters, Spring 1994

1995   ‘The Outside/Inside of Techno Art’, Mute  (Winter)

1997    ‘Learning the Theory’, (From Computer Generated Imaging Magazine, where James Faure Walker had a regular column)

1999
   ‘Painting, Writing and not Going Gently’, (from ‘5 x 20, Five Abstract Painters; Twenty Years On’)

2002
   Notes on working with computers from 1988 to 2002,
from
http://dam.org/artists/phase-two/james-faure-walker

2006   ‘River Gods’, Preface to ‘Painting the Digital River: How an Artist Learned to Love the Computer’, Prentice Hall, USA


2008   ‘Pride, Prejudice and the Pencil’, in ‘Writing on Drawing: Essays on Drawing Practice and Research’, edited by Steven Garner, Intellect/Chicago

2013   ‘Learning to Draw from Forgotten Manuals’, paper given at the ‘Drawing in the University Today’ conference, University of Porto

2018
  
The Claims of Social Art, Forty Years On, David Redfern Exhibition catalogue, Felix and Spear

     © James Faure Walker 2023